The client’s brief was pretty simple: First, the chapel had to take full advantage of the spectacular views. Second, the sun had to set exactly behind the altar cross (of course, this is only possible twice a year at the equinoxes). And last but not least, a section with the first phase of crypts had to be included outside and around the chapel. Metaphorically speaking, the mausoleum would be in perfect utopian synchrony with a celestial cycle of continuous renovation.